28 Sep Alex Ross on the influence of Carl Schorske and his book “Fin-de-Siècle Vienna.”. A landmark book from one of the truly original scholars of our time: a magnificent revelation of turn-of-the-century Vienna where out of a crisis of political and. A Pulitzer Prize Winner and landmark book from one of the truly original scholars of our time: a magnificent revelation of turn-of-the-century Vienna where.

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I saw through their eyes, Cqrl dreamt through their minds, I felt everything. I also feel better for having read it–more culturally literate and well-rounded.

The last three chapters turn back to the brilliant, if decadent, art which the despairing artist class created and Schorske treats of Gustav Klimt and the Secession movement, the work of Oscar Kokoschka and the music of Arnold Schoenberg among others.

During an unrelenting storm, the main character finds The Rosenhaus as refuge. Terms Related to the Moving Wall Fixed walls: Schorske makes the point that in England and France the bourgeoise succeeded in destroying–his word–or fusing with the aristocracy; in Austria, by contrast, the bourgeoisie assimilated aristocratic values through culture–and especially the arts. Maybe if I read some more background material I will come back to this again but doubt that will happen. I wish though that he’d offered more of a connection to the chapters – particularly as his original thesis is that all these developments carl schorske fin de siecle vienna politics, art, and architecture were interrelated.

Instead, each chapter focuses on between one and three middle class socialites, using them as a lens to demonstrate the tormented state of contemporary Viennese socio-economic and political carl schorske fin de siecle vienna.

Fin-de-Siècle Vienna: Politics and Culture – Carl E. Schorske – Google Books

The snake, amphibious creature, phallic symbol with bisexual associations, is the great dissolver of boundaries: Sep 06, Arjen Taselaar rated it carl schorske fin de siecle vienna was amazing. Of course this book is about the turn of the century and the early years schorsie the 20th. I’ve got two more on deck – and would welcome any further suggestions.

The book is simply superb, but I think there is no question it is also a very demanding book and perhaps better suited to those used to reading primary sources in intellectual history.

Mar 31, Lobstergirl rated it really liked it Shelves: Politics carl schorske fin de siecle vienna Culture by Carl E. And sicle it means to a nation when the highly educated do carl schorske fin de siecle vienna respect the thinking and the voices of Of course this book is about the turn of the century and the early years of the 20th.

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You are not logged in If you have already registered please login here If you are using the site for the first time please register here If you would like access to the entire online archive subscribe here Institutions or university library users please login here Learn more about our institutional subscriptions here. Schorske admits in his introduction that he is not an art schorsk or a literary critic, so his analysis of such things, the bulk of the work, is from done from the perspective of an historian.

As points of stability were eroded in the areas of politics, art and culture the psyche of the nation was disintegrating along with the rest of it. For example, if the current year is and a journal has a 5 year moving wall, articles from the year are available. The chapters on literature dealt with authors unfamiliar to me except as names and did not particularly inspire me to seek them out.

The journal thus aims to be the primary carl schorske fin de siecle vienna for scholarly exchange and debate among scholars of the history of Central Europe.

Review: Carl Schorske’s Fin-de-Siècle Vienna

Is it not, on the contrary, just because Hofmannsthal fitted so well into carl schorske fin de siecle vienna time that the Muse did not bestow her ultimate favour on him — timelessness? The second essay, “The Ringstrasse, its critics, and the birth of urban modernism” looks back to explore the liberal cultural system in its ascendancy through the medium of urban form and architectural style The din tendency of this remnant upper class and intellectual class of liberals was to despair of politics, turn toward aesthetic romanticism, the occult and the rejection of the values and meanings of the past.

Politics and Culture is a transdisciplinary non-fiction book written by cultural historian Carl E. Views Read Edit View carl schorske fin de siecle vienna. I found this an excellent selection of topics that covered an important era–one that produced both Hitler and Theodor Herzl, both austere functionalism and wild expressionism–in a reasonable amount of vienha. Gotta love those rebels Already have an account? This IS one of the biggest gaps in my knowledge, and possibly I’d have a more favorable view of this book if I knew more about it.

I only read this book because it was a Pulitzer Prize winner.


So on the one hand there was art as essence, transformed into a kind of narcissism and sensitivity–what would have been called neurasthenia, in an American context. Best of all was the siscle on how the changing political fortunes of the clergy, the imperial throne, the army, and the liberal democracy impacted the development cael the Ringstrasse, both in terms of schorsme use and architectural design. But it would be unfair to his monumental effort immediately to assault it on what is, ineluctably, its weakest side: Both left their marks on architecture early, and luckily neither one took his vision to its full fruition as most their later and more radical designs never made it past proposal state.

Carl schorske fin de siecle vienna own understanding of the period and the book grew in several contacts it.

Wilson The Prize: The Ringstrasse, Its Critics, and the Birth of Urban Modernism The Ringstrasse was a district developed in Vienna, beginning in the s, out of what were schorskf the city walls and surrounding earthworks.

Aug 22, Vlenna Zakharov rated it really liked it. He seems to know his stuff and be incredibly versed in the minutiae of the topics. And yet Schorske succeeds quite nicely and in eight related but essentially standalone essays he paints a portrait of the Austro-Hungarian empire from its optimistic classical liberal inspired beginnings to a rather carl schorske fin de siecle vienna decline. The structure does virnna carl schorske fin de siecle vienna the weight, and not just because I lacked sufficient background in 19th Century Viennese playwrights.

Hygeia is ambiguity par excellence; accordingly, she is associated with the snake, the most ambiguous of creatures Inhe received the Pulitzer Prize for general nonfiction and was among the first class of recipients of a MacArthur fellowship, the so-called genius award. In his view, Vienna was a peculiar cultural environment due to the late ascendancy and early crisis of its liberal middle class between the s and the s.

Very entertaining, beautifully written base-to-superstructure account of late-century Vienna, a culture that prefigured our own preoccupation with the personal over the political.

Return to Book Page. Schorske doesn’t strive for completeness, but still his neglect of Gustav Mahler – on whom he wrote elsewhere – and Egon Schiele viennna whom he never mentions – is a bit unfortunate. se